Extreme restraint is the hallmark of this pattern. When compared to the designs with much ornate and decorative, characteristic of the 1950s, it appears almost puritanical. “It is meant to be a very conservative and conventional pattern” according to the description by Carl Pott. Due to the understated combination of design elements, this series continues to be timeless and consistently wins new followers.
Staatspreis des Landes Nordrhein-Westfalen; Expo 67, Montreal; 4. Biennale of Industrial Design, Ljubljana; Design Center Stuttgart; Wels, Goldmedaille; Industrial Design, Deutscher Werkbund; Form 83